Lord of War (or is it Warlord?)
I can't seem to think of any great films with Nicolas Cage that amounts to a few. He's been in a number of good films, and if he hasn't been in any single great film, at least his strength is being in consistently good films. Typically he's either in an entirely ficticious, and sometimes impossible, explosive action flick (Con-Air, Face/Off, The Rock) that somehow manages to separate itself from other typical 'explosive' films, or he's in some sort of romance/novel-inspired drama (Adaptation, City of Angels, Family Man) yet not quite the melodrama. At the very least, I can't think of any absolutely shit films he's set foot in that amounts to a few. Although some may beg to differ that his choice of films (The Family Man, Matchstick Men, and more recently, The Weatherman.) are becoming stereotypical like the those of Rob Sneider's movie comedies. So, when I watched Lord of War yesterday, I was really expecting a John Woo or Jerry Bruckheimer styled film with 84% of the budget spent on firearms ammunition. Instead, I got an interesting satire of the illegal arms trading business cleverly disguised as an action flick.
Based on actual events, this black comedy/drama stars Nicholas Cage as international arms smuggler Uri Orlov. The story follows Uri from his humble beginnings as a Soviet immigrant in 1970s Brooklyn and peaks with his involvement in selling off the stockpiled arsenal of post-Cold War Ukraine to--among other top clients--the sadistic African dictator André Baptiste, Sr. (Eamonn Walker). Jared Leto costars as Uri’s little brother Vitaly, whose conscience and a burgeoning cocaine problem get in the way of business. Ethan Hawke is good as a sanctimonious Interpol agent with a vendetta against Uri, but the film's biggest dose of onscreen gravitas comes from Walker, whose Baptiste seethes with a heavy, serpent-like malevolence.
Written and directed by Andrew Niccol, the film makes fine use of the brisk stream-of-consciousness narration style that Martin Scorcese brought to the true crime genre with GOODFELLAS (1992), and a near constant flow of action and classic rock songs that ensure a speedy, riveting ride through three decades of global carnage. Cage, who coproduced, lets his patented oddball magnetism slowly change polarity, until viewers realize they’ve been led into a moral quagmire by falling for his self-delusory spiels about supply and demand, making this one of the bravest and most jet-black comedies of its decade.
- Rotten Tomatoes
The film encapsulates the life of illegal global firearms (including soviet choppers and tanks) dealing by Uri Orlov (Cage), his exploitation of legal loopholes, and the aspects of the illegal trade even to a political level. It does so perfectly right from the introduction as you follow the life of a...bullet in first-person view, from copper plates in the factory of ambiguous nation, into the crate, into the Soviet Union, into an unsettled African nation, into the magazine of an AK-47 assault rifle, into the barrel chamber, and eventually flying into the head of an "militant" African kid with a sadistic splat sound and quickly followed by blackout to end the prelude to the film.
Uri forms the most unusual of friendships with some of the most dangerous dictators in the world, going by a first-name basis even. But the best quote or moment with a client has got to be between Uri and the Liberian dictator, Andre Baptiste, and his take on American culture.
[Uri is sat across the dictator's desk, surrounded by guards, giving the usual salesman pitch while Andre casually opens and inspects the silver-plated Magnum. He notices one of his young guards busily flirting with a girl nearby. He fumbles with the Magnum a bit more before loading a bullet, aims and shoots the young guard dead.]
Uri: "Why did you do that?!?"
Dictator [aims at Uri]: "What did you say?"
Uri [short pause]: "Now you're going to have to buy it. It's a used gun. How can I sell a used gun?"
[snatches gun from Dictator and begins cleaning it]
Dictator: "Ha...a used gun. A used gun! That's a good one." [laughs more as tension in the room dies.]
"You know, there is no dicipline with the youth today. I try to set an example (looks at dead guard being dragged away), but it is difficult eh? Personally I blame MTV."
Some day...some day you will be mine.
Oh, my love, my darling,
I've hungered for your touch
Alone, lonely time
And time goes by so slowly
And time can do so much
Are you still mine
I need your love
I need your love
God, speed your love to me
Lonely rivers flow to the sea to the sea
To the open arms of the sea
Lonely river sigh, wait for me, wait for me
I'll be coming home
Wait for me...The all-new Ford Mustang: Some women say it's better than having sex and chocolate at the same time.
In the midst of taking my long overdue driving lessons, my boyhood Toys'R'Us urges have strangely been rekindled. Maybe the updated Hollywood film Dukes of Hazzard
also brought back my childhood obsessions with the General Lee
. But in general, I have always had a thing for American muscle cars. Nothing looks as cool and sounds as hot for the price of a pony car. Sure, American cars are generally notorious for shitty fuel economy and seriously lacking in terms of performance, quality and value for money compared with their european and asian counterparts. They guzzle twice as much as gas and are probably 50% of the cause of global warming and 100% of the reason why Iraq got ass-invaded. If sin ever bore such tasty fruits, this is it.
I'm like a fat kid staring into a candy-store. I know its bad for me (or the environment anyways), but I want one. But of course, given the financial and geographical impossibilities for a first car, I will probably end up driving a shitty car covered in shit.
My first car: I can already smell the pigeons...
Just a dreamer
If only we could all just find serenity
It would be nice if we could live as one
When will all this anger, hate and biggotry
... Be gone?
I'm just a dreamer
I dream my life away
I'm just a dreamer
Who dreams of better days
I'm just a dreamer
Who's searching for the way
I'm just a dreamer
Dreaming my life away
- Dreamer, Ozzy Osbourne
Sometimes I wonder if....
i) Ozzy writes his own lyrics;
ii) Ozzy is capable
of writing his own lyrics;
iii) is that really Ozzy singing his own lyrics.
in no particular order.
It's that time of the year again when nausea is in the air.
£0.50 £0.40 £0.30 £0.15!!!
And don't forget to buy your pack of 10 red-label Tesco cards to last you a lifetime*. This product is eco-friendly** and made from recycled toilet paper and now comes FREE when you buy red-label boquet of roses***!
*Based on UK average marriage lifetime.
**May contain traces of shit. Not recommended for people allergic to shit.
***Not really roses.
What does a Danish flag look like?
"Up till yesterday, I never knew what a Danish flag looked like. Apparently it's red and white in colour, and has orange flames coming off the top
." - Jimmy Carr.
I'll admit that I was slightly unsure how to react to the controversy that was the publication of insensitive caricatures towards Islam. It did feel slightly unfair of the European press to play the 'Free Speech' card and for the Danish to stubornly refuse to apologise. How does someone publish something like that and not expect a massive uproar from the muslim community? And without any gross generalisation here, it was quite plain to see, in my opinion, the more violent, damaging response from protesters who decided to torch a building, burn flags and make 9/11-like death threats with their "anti-freedom" slogans. It was truly a display of irony for such protesters outraged at caricatures depicting Islam's supposedly violent nature. So if such violent protesters were committed to doing violence, does that mean they weren't really 'protesting' then in the first place? Obviously the publications seemed like just an excuse for such people to practice making molotov cocktails and take to the streets with their anti-western sentiments.
Then I see this picture here
with a protester holding his placard and an English cop behind him. How does any man gather the balls to make a threat like that
on European soil, I wonder. Instinct would bring me to consider his slogan as an act of treason and have any man threatening the lives of Britons shot on the spot without trial. But of course this isn't the year 1800 anymore and such acts wouldn't be allowed. 2002 if you're from Iraq. They have the right to offend and the right to protest as any citizen of this country and emptying a 23-round pistol magazine into a protester would just be hipocritical of me. Tsk tsk.
So what about the Danish press together with the rest of Europe's tabloids fanning the flames? Do they have a genuine point on freedom of expression, or are they equally responsible for the torching and burning of all things Danish? I quickly realise the fallacy of this logic that would mean that the measure of responsibility is defined by the response of another party. I.e. If 100% of muslims had a sense of humour and didn't take it offensively, would that make the publication of the cartoon drawings any less irresponsible? I tried to fathom this literally for days... I try to answer the much longer-lasting question of what exactly is free expression with responsibility? It sounds like a common marketing freebie with some sort of strings attached. Do boundaries pose greater danger to the very founding principles of such freedoms? And then I read yet another brilliant article by Alex Au who shared his thoughts so articulately on the matter of free speech versus religious sensitivity:
Causing offence should not be confused with incitement. To this some will argue that surely we should be aware that those who take offence will respond in very agitated ways. If the agitation is foreseeable, then it is incitement. This is a very poor argument. It makes the definition of incitement entirely dependent on how violent the other party can work himself up to be. The more violent his response, they more he is likely to get his way and the freedom of the speaker curbed. In the final analysis, such a position effectively rewards violence. Hardly a good way to build a peaceful society.
This is related to the problem with the phrase, "expressing an opinion responsibly". It seems to suggest that if free expression causes offence and possible backlash then that freedom must be curtailed in the name of "responsibility". This woolly-headedness was exactly what the Danish newspaper wanted to contest. What is the meaning of freedom, if that freedom cannot in practical terms be exercised due to various forms of censorship? What is the use of a title deed to a piece of land if you are never allowed to take possession of it?
Thirdly, the Straits Times said that the Danish newspaper was doing "violence to the concept" of free speech. One can easily argue that imposing broad burdens of responsibility and non-incitement does even greater violence of the concept. Fourthly, the Straits Times felt that the governments should act against the newspaper for being "downright dangerous to the national interest". Jyllands-Posten -- and it appears from opinion polls, 75% of Danes supporting them -- could have felt that making a stand to defend the cherished principle of free speech was very much in the national interest. Is it typically Singaporean that we only define "national interest" in economic and trade terms?
Christians and Jews I'm sure have been the subject of many office jokes and caricatures. And I certainly don't think Matt Stone and Trey Parker made any exceptions for their provocative cartoon South Park. So why, considering Christians and Jews are probably the largest religions in America, wasn't there an uproar against that cartoon? A cartoon that was 9 seasons or 225 episodes more successful than the Danish caricatures at provoking people, not able to cause at least one embassy or one flag to burn?
On the TV news Tuesday night, 31 January, Channel News Asia reported that the Saudi government called on European governments "to protect religions." Why should religion be privileged? Why should the beliefs of some curtail the freedoms of others, especially non-believers? Who decides what constitutes a religion and what does not, such that one set of beliefs is privileged and another set is not? What if a Christian sect said the use of the cross for non-Christian purposes caused serious offence to them, and demanded that the entire world stopped using the "+" sign for addition? Are we supposed to comply? It is one thing for a person to live by his beliefs, e.g. a vegetarian who chooses to forgo meat or a member of the clergy that takes a vow of celibacy. We have to respect that person's choice. It's another thing for someone, or an organised mob, to insist that others too must abide by his/their rules. It's even worse when people with a set of beliefs call upon governments to use governmental power to impose those rules upon everybody else.
The Danish Prime Minister was right to stand his ground.
Was it all necessary? you might ask. Couldn't the children's book that started everything have been published without drawings of the Prophet? Perhaps, but it's not my book or yours, and thus, it's not my decision or yours to make whether Kare Bluitgen should have done without. (Personally, I am quite mystified why he didn't think such illustrations would reduce the sales of his book, especially to Muslim
families.... but then, it's his book) Couldn't Jyllen-Posten, the Danish newspaper, have written about Bluitgen's difficulties without commissioning the 12 cartoons, and still made its point just as effectively?
Again, perhaps it could. But at what point do we stop complaining about the erosion of freedom, and actually seize it to prove a point? Do we choose paralysis or action to defend our freedom? Perhaps, as Ayaan Hirsi Ali, the Somali-born member of theDutch Parliament said, it is necessary.
The protest demonstrations in the Middle East, and by Muslim communities in Europe too, only prove the point that believers in free and secular societies need to be alert to creeping censorship from religious extremists, the very point that Jyllands-Posten set out to highlight. What are the demonstrators calling for? They are calling for censorship. Not because they have been injured in any measurable way, though some may argue that such cartoons reinforce the prejudices against Muslims that is manifested in other, concrete ways. To that, the reply was given by none other than a Muslim editor in Amman, Jordan. Jihad Momani wrote in his newspaper Shihan, "What brings more prejudice against Islam, these caricatures or pictures of a hostage-taker slashing the throat of his victim in front of the cameras or a suicide bomber who blows himself up during a wedding ceremony in Amman?" (However, he was also reckless enough to reprint 3 of the cartoons. In Jordan! He was sacked before the day was over, and arrested the following day, accused of insulting religion under Jordan's press and publications law. Whether it was because of his words, or his decision to print the cartoons, is not clear. Source: BBC)
Yet this only reminds us of the very reason why the West is leagues ahead in cultural vibrancy and creativity. The freedom to challenge, which necessarily causes offence to some who embrace the status quo, is fundamental to intellectual, economic and socio-political progress. Calling pet ideas into question is essential if we are to use human intelligence in any meaningful way. Of course, Muslim groups are free not to purchase any goods from the Nordic countries and make their displeasure known; and they are free to hold as many protest demonstrations as they wish. But without a better intellectual foundation, the uproar only shows it up for what it is: bullying.
The calling for compromise in western values of free expression in order to be accomodating to religious values shouldn't be answered, unless you wish for values such as these to errode with time. As Alex observes, a shocking degree of self-censorship has already been evident amongst Danish people since the murder of Van Gogh whose film, Submission, was deemed offensive to Islam. The distance between western freedom and some protesters from Eastern countries is accentuated in things like calling for the Danish PM to apologise on behalf of the publication company. And if it's one thing I admire about some aspects of western civilisation, is that they live by their principles and stand up for it. A government in a free nation can never take responsibility for the actions of an independant newspaper. It is a disturbing thought that people are able to take the actions of one entity and expect responsibility to lie on all Danish people. Why are Danish people being barred from some coffeeshops? Why are Danish people overseas now fearing violent retribution from vigilantes?
I am inclined to believe Alex's conclusion that it all boils down to religious bullying; to undermine western values and pressure the west into feeling guilt over its own principles by creating a false pretext of religious insensitivity. It encourages self-censorship and hence one will always be wondering how far is too far? I am sure that majority of Danish people do not feel that Islam is a dangerous religion just as I believe majority of muslims are definitely not the violent people the cartoons made them out to be.
And as Alex writes from a Singaporean perspective, he certainly hit the nail on the head with his mention that the West has always been 'leagues ahead in cultural vibrancy and creativity'. They nourish diversity and freedom of thought more so than many countries that decide to adopt highly conservative and authoritarian values. On a note that hits closer to home, and possibly an entirely different subject of its own, he lightly touches on how the situation reflects on Singaporean media. The one thing the island nation has always lacked amidst its riches, growth, success and prosperity, is any kind of spirit. Perhaps its one of the reasons I find its fascia so plastic. There are no founding principles, unlike say, the American Declaration of Independence. Everything done in the name of "national interest" has something to do with economic gain. Wait, isn't that more like a business company rather than a country? Why is Singapore suddenly sprouting a casino despite its long-lasting conservative stand on such issues in the past? That's right. Purely for attracting business. Throw money at her and she'll do anything for you. To hell with principles. I think 'whore' adequately describes such a character. I honestly don't give a flying shit how many academic scholars you churn out every year. And I think I can safely say I'm not alone in seeing past the materialism and fake.
is a truly exceptional author and sociopolitical commentator who is also a significant activist. He should be like the Martin Luther King for the oppressed people of Singapore. Really.
And in case you are reading this bottom-line and still wondering what a Danish flag looks like, here it is.
Apparently burning modern flags made of polyester is dangerous. Pfft...As if that would stop a good ol' flag burning session.